I'm not just an action star

The filming is officially started, the front part will be filmed first, and then the national filming will be done later.

Because he doesn't plan to shoot, Wu Long will use the form of animation to recall the scene of practicing martial arts with Baimei when the heroine moves his toes.In this memory, Baimei told her that when practicing kung fu, first train the mind.

In this way, the heroine finally moved her toes.Then follow the original memory about the deadly poisonous snake assassination organization. This memory leads to the origin of Ishii Miren.Then turn hatred into strength. At the end, the heroine's toes moved one by one. The heroine got out of the car, sat in the driver's seat, and drove away.

Only two people were killed, one was Venita the Copperhead Snake, and the other was Miren Ishii.In the whole film, the plot about killing Ishii Yuren takes up half of the film.

Filming the church wedding was killed, filming the heroine killing Vinita, filming waking up in the hospital, after filming Wu Long flew into the country with the crew.

The decoration of Aoba House is roughly the same.Originally, this bar opened by a friend of Chiba Chiho was not called Aobaya, but since it was used to make a movie, it would be better to call it the name in the movie.

Wu Long also agreed to authorize the other party and allow the other party to use the film as a promotion, which is regarded as a return for free use of the venue for shooting.

Because I have practiced many times in Chiba Kendo Hall, and the actual shooting this time was influenced by Wu Long, the shooting process was smooth and fast.

Without a long lens, the requirements are naturally not that high.Some fighting moves are sharper and more exciting than the original version because of the relationship between training in advance and the influence of Wu Long Wuxiang Gong.The consistency of action is also better.In fact, some scenes in the original version still look messy, and it is impossible to make up the whole missing process in my mind.

When Wu Long was filming, because the fighting was so coherent, even though it was edited from multiple shots, he could still fill in some missing details.As well as the relationship between the position and the movement trajectory of people, they all seem very reasonable.

It will not happen that you were originally playing in this position, but after the camera is switched, you will be playing in another position.

In a scene like one-to-many, the most taboo is that such positions are incoherent, resulting in a lack of sense of substitution.

Of course, the exciting or bloody fighting action can make up for this deficiency.Let the audience ignore these because of the visual impact.

But if the coherence is done well and the sense of substitution increases, the audience will be integrated into it, and their hearts will beat with the fighting inside.

After reading it once, after coming out, I felt that I missed some details, so I bought a ticket to watch it again.

Takako Kuriyama's meteor hammer played well, but Wu Long was useless as a substitute.In the duel between Guoguo and the heroine, there are not too many cuts in the shots, and a line can be sorted out.All actions and positions are traceable and reasonable.

If the requirements are not high, it can also be regarded as a pseudo-long shot, which increases visibility and authenticity.It also makes people mistakenly think that Takako Kuriyama really knows martial arts and is very good at fighting.

In the movie, Guoguo's loli is stern, with some evil and resentful aura, which increases the audience's imagination that Takako Kuriyama has really killed someone.

In the scene where Chiba frame sui and Uma fought on the railing, Wu Long gave them two choices.One kind of hanging safety rope, one kind of non-hanging safety rope, a sponge pad will be placed underneath.

Underneath is the pool, with a green screen sponge pad, and post-processing by computer.

Without the safety rope, some movements can be done better and more convincing.

Since Wu Long has something to do with it, it cannot be shot like the original version, but it must be more exciting than the original version.

Both Qianye Huasui and Uma chose not to use the safety rope for protection, which also won Wu Long's praise for them.Chiba Jiasui has martial arts skills, so it's not surprising that he dared to shoot like this.It's rare for Uma to dare to shoot like this.She is a professional actress, so it's okay for her to refuse an action that is too dangerous, and no one can blame her.

Uma was knocked out by Chiba Framesui, bumped into a barrier and fell downstairs, grabbing the escalator to keep from falling.In this shot, Uma went into battle in person, without a substitute.

There are ways to shoot with a substitute, and there are ways to shoot without a substitute.

No need for a stand-in, no need to change lenses.

In the room, facing Uma, she was kicked and flew out by Chiba Jiasui, backed up and smashed through the barrier.A shoji, a wooden sliding door made of Japanese paper, can be easily broken.

Of course, when making a movie, there must be manipulations in advance to make it easier to break.

The camera just shot at Uma's face, and went out with Uma.After hitting her through the door, she hit the railing, and then fell back and fell out.

When she fell, the camera moved from her side to the outside at a faster speed, and the camera was always facing Uma.

This kind of shooting technique makes the audience feel more involved, as if they were beaten out, hit the railing and fell out.It makes the audience worry about the heroine even more.It can also be seen that it has always been Uma, and the sense of substitution will not be weakened because it may be a substitute.

The camera turned to behind Uma, and took pictures of Chiba Huansui who rushed out from the second floor. After Chiba Huansui jumped onto the railing, he made a move to attack Uma and stopped the machine.

Uma put on the wire, stood outside the handrail of the stairs, and made the movement just before the shutdown.

Turn on.

Chiba Huasui made another attack action just now, Uma blocked with a knife, and counterattacked Chiba Huasui's foot, forcing Chiba Huasui to retreat.

谷碍

Ravia, Uma jumped on the railing on the second floor.

The original cut a scene here, and then reconnected with the two fighting on the railing.Because Uma jumped up, he had to stand firmly before continuing to attack.

Wu Long has nothing to do here, he also needs to cut a shot.

If he was the leading role, there would be no need to cut shots.

Wia continued to hang, and after Uma slashed Chiba Huasui a few times, one would jump up, step on the aisle wall, bypass Chiba Huasui, and return to the railing.

Uma also needs Wia here.

After standing back on the railing again, stop.

Uma took off Wia and started the final duel with Chiba Framesui.

In these shots, because Uma stepped on the wall and jumped back to the railing, she was unable to stand still and stabilized her balance first.At the same time, Qianye Jiasui was also forced to retreat in a hurry because Uma jumped the wall and slashed, and also stabilized his balance first.

At this time, the camera zoomed out, and the two were shaking on the railing.Then the camera moved to the upper part behind Chiba Chiasui, and the camera shot Chiba Chiasui's bald back, and Uma's front. Because of the downward oblique shooting, the situation on the first floor can be photographed.

The first floor is a green screen sponge pad, and the ground conditions on the first floor can be replaced later, which can make people think that the two are not protected, which increases the sense of substitution and looks more thrilling.

During this fight, Chiba Kasui first performed a whirlwind slash on the railing, causing Uma to retreat steadily.Uma fought back again, and Chiba framed Sui backed away.It was Chiba's turn to fight back, and Uma retreated.

Finally, Uma seized the opportunity to cut off Chiba Frame Sui's foot.Chiba frame ear was cut off his foot and fell, so he had to cut the shot, and finally added a shot of entering the water.

Basically, the scene in the bar is done.

Next, is the duel between Uma and Ishii Miren.

In this snow duel, the white kimono is exposed, like a white crane dancing at this moment.The movements are solemn, noble, and elegant, and every move and style seems to have a sense of ritual.

It makes people see and give birth to a feeling.This is dancing, this is offering sacrifices.

Sacrifice a life, or two lives.

On the other hand, Uma was a little nervous and cautious.Because, as Ishii Yulian played by Menglu said, a samurai sword will not be tired, but a person will be tired.Uma killed so many people and fought for so long that she was exhausted.

Ishii Yulian has a huge advantage!

In her eyes, the duel with Uma was like a cat playing with a mouse.

The filming of Menglu and Uma's scene is over, it's done!

When Wu Long announced the finale, the people in the Kendo Hall cheered enthusiastically.Their participation in this film not only experienced filmmaking, but also taught them a lot.

Just as everyone was celebrating, a group of people came in.

Book warrior!

Everyone carries a wooden knife!

These people rushed in regardless of dissuasion, and the cheers of everyone stopped abruptly.

"Yamamoto!" Chiba Framesui recognized the other party.

"what!"

"It's Kendo No.1 Yamamoto!"

As Chiba Kasui called out the other party's name, the people in the Kendo Hall also recognized these people.

"Chiba Framesui! You were defeated by me back then, you didn't have the face to stay in the book, and fled to Los Angeles. Even if you lose, even if you escape to Los Angeles, you are still a samurai in the book!"

"Why, you want to bring your disciples to kneel before this person!"

"When I left the customs, I heard your wild words, saying that the person who beat you can come and challenge him. Now I deliberately bring him here to humiliate our warriors and our swordsmanship. I will defeat him today, and then clear you. Traitor!"