I'm not just an action star

The filming of "Crouching Tiger, Hidden Dragon" started, and the scene of stealing the sword was filmed in the studio.It just happened that the part of "The Legend of the Condor Heroes" was filmed in the film and television city, so there was no need to transfer to other places.

The first fight scene here is the fight between Master Liu played by Qi Ke and Yu Jiaolong played by Jiang Shuanger.

Wu Long wanted to take this fight scene to the end, which was extremely difficult for Jiang Shuang'er.

Fortunately, Wu Long has the teaching bonus of being a well-known teacher who produces outstanding apprentices, coupled with the influence of his Wuxiang Gong on the shooting scene, there is a great chance of success.

The biggest difficulty in this scene is that Jiang Shuang'er has to jump on the lamp and spin around before kicking Qi Ke down.When he jumped down and ran out, he had to jump on Qi Ke.This is not a simple jump, but it needs to be danced with a sense of movement and beauty, reflecting kung fu.

Wu Long asked the prop master to make an iron tube and an iron crotch to put on Qi Ke's body to prevent Jiang Shuang'er from stepping on Qi Ke's stick lying across his chest, instead of stepping on Qi Ke's body and hurting Qi Ke.

However, there is no way to protect the face and head.

Before filming, Wu Long asked Qi Ke if he would take the risk.If you don't want to, you don't need to take long shots, which is much safer.

Qi Ke knew that Wu Long was going to enter the global market for this film, and he was able to take the role of Master Liu because Wu Long was taking care of him.

If it were Luo Chang and Fang Zhuming, they would definitely dare to take risks.

How can you not take risks as a martial artist?Don't take risks, just be a martial artist.

Now, Wu Long puts him, Luo Chang, Fang Zhuming and other martial artists on stage as actors, which is to give them an explanation for this industry.

Luo Chang played a supporting role in "The Great Dragon of Fahai".

Fang Zhuming played a supporting role in "The God of Cookery: The House of Gold and Jade".

Now, it's his turn to play a supporting role in Crouching Tiger, Hidden Dragon.And "Crouching Tiger, Hidden Dragon" is better than the previous two films in terms of investment and plot.

He doesn't want to take any risks, if there is another play like this in the future, who will Wu Long ask to act?

Certainly not him anymore.

If this fighting scene is performed by martial arts, it will not be difficult, and there is no need to tease Wia.

When Jiang Shuang'er and Wu Long taught Kung Fu in the Condor Heroes Martial Art Museum, she was asked to practice related movements.

Jump up and grab the chandelier.

Unlike modern chandeliers, ancient chandeliers are not hung too high.Because the lights are either candles or oil lamps, the illumination is not enough, and it is impossible to hang them too high.

So after training, Jiang Shuang'er was able to jump up and grab the chandelier and turn around.

"Qi Ke, you have to pay attention. You didn't find Yu Jiaolong when you entered the house, so you were attacked by her and hurt you so much, that's why Yu Jiaolong had a chance to grab the chandelier. The room is dark, Yu Jiaolong put on the chandelier, you I can't see clearly, I don't know where Yujiaolong is. You guard the door and get kicked down again."

"Also, you are being attacked by Yu Jiaolong. In order to prevent Yu Jiaolong from running out, when you swing the flail stick, you can't hit Yu Jiaolong, but hit the door."

The light in the room was dim, and Master Liu had no idea where the thief was.He was kicked away from the door, and the thief must have escaped. The correct countermeasure was to hit the door.If a thief wants to go out, he must be beaten.

Wu Long lectured to Jiang Shuang'er again.

"You have to make a gesture of wanting to go out, and then retreat when you see Master Liu sealing the door with a flail stick. After you retreat, you have to make a gesture of looking up at the chandelier, and then you can jump up and grab the chandelier."

"These are logical relationships, which are reflected through your movements. And the movements should not be too big, but subtle. Let the audience be aware of them, but these movements must be connected quickly."

"The movement is small, and the connection between the movement and the movement can be fast. This is a kind of performance in the blink of an eye. You can't get out, and if you attack directly for the second attack, it is easy to be blocked. So when you see the chandelier, you think Take advantage of the poor lighting in the room and turn it from side to side by grabbing the chandelier."

"After you kicked Qi Ke down, you landed immediately, then jumped up, stepped on the stick lying across Qi Ke's chest, and then jumped out. In the Condor Heroes Martial Arts Academy, you practiced jumping and grabbing, and also practiced jumping and stepping. It shouldn't be difficult to use the horizontal stick. The hard part is to overcome the obstacles in your heart."

There was no one under the stick I stepped on during practice, but now there are people under the stick, I must be a little worried about stepping on someone.

The long shot of this action is mainly to see Jiang Shuanger's actions. Qi Ke was born in martial arts, so such actions are not difficult for him.

First let Qi Ke fall down at the door, measure the approximate location, and put a stick on it.

Jiang Shuang'er used to do simulation exercises in the Condor Heroes Martial Arts Academy, and now she has practiced more than ten times on the shooting site, and only started shooting when she was confident.

Wu Long used the influence of Wuxiang Gong to bring Jiang Shuang'er and Qi Ke into the movie world of "Crouching Tiger, Hidden Dragon".

"Start shooting!"

The two began to perform.

Yu Jiaolong escaped from the house, but did not escape directly.Instead, he turned around to face Master Liu in the courtyard, feeling a sense of playfulness.

He beat until Yu Jiaolong jumped up and kicked Master Liu, and finally stepped on Master Liu's head and jumped up again.

click!

Jiang Shuanger was still in the air, and Wu Xing's brother immediately pushed the sponge pad outside the camera to Jiang Shuanger's feet, allowing Jiang Shuanger to land safely.

Then hang the wire for Jiang Shuang'er, go up to the roof, turn around and throw tiles...

click!

This section is edited on top of the previous section, and is connected with the last long action shot to form a longer pseudo-long shot.

The cut is when Jiang Shuang'er steps on top of Qi Ke's head and jumps up.After the previous shooting here, Qi Ke did not leave, and kept his posture.The camera position and lens have not changed, and they cannot be maintained.

Jiang Shuang'er immediately put on the wia clothes she had prepared earlier, and danced and stepped again.After shooting several times, I finally found a position that can overlap and start editing.

If not, just take a picture of Jiang Shuanger's feet immediately after she took off.

The wonderful scene of stealing the sword is the roof chase scene between Yu Xiulian and Yu Jiaolong at night.In the original movie, there are many places where Wia is hung.

Wu Long chose the route again.On this route, Luo Chang ran ahead as Jiang Shuanger's Wu Ti, and Wu Long dressed up as Zhang Zhulin's Yu Xiulian chased after him.

The route that Luo often runs is something parkour can do.He has been trained by Wu Long's skills of using famous teachers to produce high-quality apprentices, and his parkour level can be said to be second only to him.If there is a global parkour ranking, Luo Chang will be ranked second, no problem.

Wu Long's running movements are something parkour masters can't do, and this reflects the difference between Zhongqinggong and parkour.

In the original movie, there is a section where Yu Xiulian came down from the wall, knocked off the stones from the wall and used it as a dart to hit Yu Jiaolong.

In this paragraph, someone else needs to use Wia, but Wu Long doesn't need it.He can also use the eagle claw skill to really scratch and break the bricks on the wall.

Because of the long shot throughout the whole process, Wu Long changed this action a bit. He would grab the brick at the corner of the wall, and the drone flew to the other side of the corner of the wall to shoot him grabbing the brick at close range, and then turned the camera to shoot him throwing the brick and hitting it. Luo Chang who fled ahead.

What is shown on the screen for the audience is that there are always Yu Jiaolong and Yu Xiulian in the camera, but when Yu Xiulian is walking down the wall, the camera moves closer to let the audience see the eagle claws scratching the wall bricks.

What the audience saw was Yu Jiaolong in the close-up view and Yu Xiulian in the distant view.But this is where the lens starts to change.Yu Jiaolong quickly turned into a long shot, and the close shot turned into Yu Xiulian.

Because of the need to ensure long shots, there must always be two people on the screen.

In this way, it is very important to choose the route, and the position of the wall grabbing brick is also very important.It is necessary to ensure that when the distance and near view of the lens change, the two people can be captured in the same frame.

In addition, the movement of the drone and the adjustment of the focal length of the lens are also extremely important.

Luo Chang, Wu Long, drones, and cameras must cooperate well to ensure this.

And it's a long shot again, if you fail once, you have to start all over again.

During the day, Luo Chang and Wu Long started to practice, and at night, they practiced again.Rooftop parkour at night is different from daytime.

Wu Long's eyesight is fine, but Luo Chang needs to practice more.

For the makeup problem, Wu Long did it himself.His make-up skill is even better than that of a make-up artist. After putting on the make-up, he and Zhang Zhulin stood together, giving people a creepy look.

Even Zhang Zhulin patted her heart and said it was too scary to see an identical self.If you don't know the inside story, you will definitely be scared out of trouble.